What I love about this technique is that I can really experiment with saturation. This removes any potential clash of frequencies in the low end. I also applied some high-pass filtering on the parallel channel. But you can hear how it brings the loop to life. In this case, I’ve only added about 15% of wet signal. Listen to this example: Drum loop with no parallel saturation Drum loop with parallel saturation Setting up some saturation on a parallel channel is a great way to add so grittiness. They are a bit too clean and lack some drive. You often might find that your drums are lacking in character. Now let’s look at some common ways of using parallel processing in EDM. Reverb, delay, saturation, chorus… Everything goes! Once you’ve set up your parallel signal, nothing is stopping you from swapping your compressor for any other effect of your choice!įrom here, the possibilities are endless. One Step Further: Parallel Processing!Īs I’m sure you’ve already guessed, parallel compression isn’t the end of the story. Or you can simply place an EQ before your compression. To do this, you can use something like FL Studio’s Frequency Splitter. Want to bring out the highs in a vocal? Try using parallel compression on the higher frequencies only. Heck, not every frequency needs parallel compression! However, not everything needs parallel compression. It might be tempting to throw parallel compression at everything. Parallel Compression and the Frequency Spectrum When you turn it off, it should sound “weaker”, but not quieter. They should be roughly similar.Īnother trick is to switch your parallel signal on and off. This means checking the overall volume pre- and post-processing. This is why it’s vital to gain match with the original signal. Our brains are hard-wired into thinking that louder = better. Let’s say for example you have a Gain/Volume plugin to automate your lead vocal: Whatever the case may be, you need to make sure your parallel channel is automated as well! Or maybe you need to boost certain words of your vocal. Maybe you’re fading out the drums before the breakdown. Whether you’re using parallel compression on drums or vocals, you’ll need to automate their volume at some point. What happens when you do volume automation? Let’s look at a few common mistakes people make when using parallel compression. There is, however, a few drawback to using parallel compression. Parallel Compression Mistakes You Should AVOID! □♂️ With a parallel channel, you have more possibilities, such as: I find this method works better than using the Dry/Wet mix knob directly on your drums. Finally, make sure that your compressor is set to 100% Wet.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |